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Rare Photo Published Prolific rock writer Alan Clayson,
author of bios on George Harrison, the Troggs and others, has done it
again with his new book, The Yardbirds - the Band That Launched Eric
Clapton, Jeff Beck and Jimmy Page. The book chronicles the British
band's rise and evolution, including in its ranks some of the most
influential rock guitarists of all time. Featured in the book is an
extremely
rare photo taken at the Fillmore Auditorium in San Francisco on October
23, 1966 by Gordon Linden which shows, on stage, the lineup of Jeff Beck and
Jimmy Page. The book was published by Backbeat Books and is available
through Amazon.com. A
narrative of the concert and the impressions of several people who
witnessed it was also recently published in a book entitled "Jeff's
Book, A Chronology of Jeff Beck's Career, 1965-1980 – From the Yardbirds
to Jazz-Rock" written by Christopher Hjort and
Doug Hinman. Rock n' Roll Research Press, 2000
"SUN 23RD 1966
Fillmore Auditorium, San Francisco,
California
Billed as'One Sunday Afternoon' (2
to 7 pm) and presented by promoter Bill Graham, the Yardbirds play the
Fillmore supported by Country Joe & the Fish. This is perhaps the
penultimate Yardbirds concert with Jeff Beck and by all accounts
their performance is an impressive one in a city with a blossoming music
scene of its own and a reasonably high standard of expectations for
visiting performers.
In the somewhat trippy style of the day,
reviewer Ed Denson gives an interesting impressionistic account of the
show (BERKELEY BARB, October 28):
'Eleven amplifiers, eleven amplifiers, the Yardbirds have 11 amplifiers,
Jesus Christ — the words seemed to spring from the air in the Fillmore
last Sunday as the other groups on the afternoon show waited for the
Yardbirds, the stars, and the amplifiers, and their equipment to arrive.
Standel advertises that 10 of theirs have the power to kill anyone
standing in front of them ... [The Yardbirds'] first note reveals the
meaning of the eleven amplifiers. The guitar has a power, a fullness of
tone, a depth that has not been often heard outside a recording
studio. The sound moves out of the three amplifiers and possesses you,
driving the normal impulses out of your nervous system and replacing them
with music. But not a music that you've ever heard before. It has the
textures and rhythms of Chicago blues, like almost all rock now, but as
they play the bass player turns his body so that his instrument is facing
the 27 square feet of amplifier and speakers that stand behind him,
taller than he, and the feedback tones fill the room with a sound more
powerful than anything before it, and touching more on what is happening,
and then the lead guitarist goes into an incredible distorted nm with
notes and feedback blending into a beautiful new sound ... No other group
has been as close to it as the Yardbirds —Beatles, Stones forget it. At
the back of the hall it is too loud, muddy, much of it inaudible and the
sound system has utterly failed to match the eleven amplifiers. Not a word
can be heard.... I am convinced, I am converted, the Yardbirds are the
best group in the world. It took a day to come down from that idea. After
it was over I watched them leave, clear smiles on their faces and plane
schedules on their minds, and I remembered what they had done to my
favorite music, and how my mind ached with the glory of today [but] all
the songs sounded the same ... They don't have the variety or
didn't choose to on stage that day. Like Butterfield they did one
thing, and really well.'
Perhaps in their one last great
performance, a glimpse of the promise of this line-up of the band is
realized this day. Greg Douglass, an aspiring guitarist who
later plays with Steve Miller, also attends this show and equally
impressed recalls: "It was just incredible. When I saw Jeff Beck it was
like,'Whoa, what's going on here?"' Page himself has said the dual
line-up only yielded two or three successful performances and this seemed
to be one of them. Despite the lack of a PA powerful enough to project an
audible vocal over the wall of amplifiers, like Jeff Beck did in Los
Angeles at the Hullabaloo the previous January, he and the Yardbirds as a
band make a grand impression on a nascent music scene with this show. It
is undeniable that the influence would seep in through local musicians in
attendance. One might argue that this show and the recently recorded
Stroll On could be considered the partial embodiment of what the band
might have been, given the proper direction and opportunity.
It would be a year and a half to two
years before both Beck and Page would fully realize their individual
musical visions in their immediate post-Yardbirds
bands (Jeff Beck Group and Led Zeppelin respectively). It was perhaps all
the more frustrating for Jeff and the others to maybe glimpse the power of
what the band could be, the potential of its future, and then in a matter
of a few days later suffer the insult of once again being reduced to
cranking out a few quick solos in a fifteen to twenty minute spot just
playing the hits."
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